Tracey’s latest blog about her residency at SIM in Iceland.
The other day I went and had my portrait taken at Mink Viking Portrait Studio in downtown Reykjavik, owned by Gudmann. It was one of the few tourist activities I have indulged in while doing an artist residency with SIM – and one which was totally worthwhile.
While I was there I had a really interesting chat with the photographer, Hafsteinn, who is also an artist and has designed his own set of tarot cards.
The studio itself was full of very interesting objects, including lots esoteric books, references to shamanism and Viking paraphernalia. I was thought it was so interesting, I asked if I could come back and take some photos. Hafsteinn kindly agreed and so yesterday I returned to document the space. Check these out.
I brought along my runes and ‘staged’ them in the studio – they do look like they belong here 🙂
What I didn’t realise until…
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A post from Tracey reflecting on “Traces in the Landscape”
This post is going to be a little bit like a ball of Faroese wool that I managed to knot up while I was aboard the Johanna TG 326 with the The Clipperton Project. So please be patient dear Reader as I attempt to unravel my tangled thoughts, connections and reflections.
Yesterday was our last full day as a group together on the Johanna and it was truly special for a several reasons. Firstly, we had the immense privilege of working together with the crew to haul up the sails and sail for a couple of hours around Tórshavn. It was also one of our team members birthday, Nils Aksnes, who enjoyed being at the helm while we were sailing. Also, we visited the Island of Nólsoy which was very lovely despite the rain.
What was also magic was local photographer Ingi Sørensen catching us with the sails up…
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Latest post from Tracey in the Faroe Islands.
Here are the last couple of days worth of Rune drawings from Fuglafjørður, Klaksvik and Mikladalur. I am finding this project to be a lot of fun so far, as I seek out interesting and meaningful places to ‘leave a trace’. What is also really cool is that I have also inspired one of the other participants, artist and jeweller Chloe Henderson to do some chalk drawings outside as well.
More to come 🙂
Latest post from Tracey about our journey of the #Faroes with #TheClippertonProject
Yesterday we were back in Tórshavn after travelling from Sandur in Sandoy.
It was great to be back – we went and had a delicious coffee at @Brell, checked out the book shop and then I thought to create an intervention (read chalk graffiti) in the old town. The chalk drawing is a response to my poor lack of documentation through this journey – some days I did not capture any photographs or write in my journal.
The one thing I have done every day is to do a short reading of the Runes. Then an idea came to me that reflected some of my thoughts around place, the past and my experience of that place. I have wanted to find evidence of the Vikings in the Faroes and so far not found much in the landscape or in the towns we have visited. I was looking for things like…
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New post from Tracey on the #TheClippertonProject
Birgir talked to us about Faroese culture and history with a focus on the language and historic ties to Denmark, WW11 connections to Britton and linguistic context to old Norse and Gaelic.
Tóta’s talk was focused on myths, ballads and storytelling in Faroese culture. What was very interesting in her talk was the relationship of the Faroese chain dance to the ongoing survival of the language and the culture. It was also fascinating to learn about some of the Faroese fairy tales and myths – particularly the Huldufólk, the Seal Woman (Kópakonan or Selkie) and stories of trolls and giants.
I was interested to learn more about Faroese fairy tales and…
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A blog from Tracey about our forthcoming journey to the Faroe Islands, Iceland and Norway
Waters of the Past is the title of a new chapter of the Words for Water project. The project is focused on creative research and exploration through a journey to the Faroe Islands, Iceland and Norway.
The research explores recurring themes in my work related to memory, history, cultural identity and connection to place. It is also an opportunity to explore my migrant heritage directly by spending time learning more about the culture of my Norwegian ancestor, merchant seaman Anton Benson (1855-1929).
Anton’s sea-faring past fascinated me as a child, as did hearing stories of the long journey by boat made by my grandmother and great-grandmother. I have memories of my great-grandmother travelling to England by ship around 1972.
The landscape of my ancestors was richly imagined as a child; a place of fairy tales, of cold winters, of magic in the forest and of sea faring adventures.
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