Quick Guide to Travel Photography

By Garry Benson
Edited by Tracey Benson

© Garry Benson 2014
© Garry Benson 2014

Travel photography is a creative adventure. Away from home, you have the opportunity to record the unfamiliar with a fresh eye. This can be as true of a regular family holiday as of rare and special trips to exotic places.

© Garry Benson 2014
© Garry Benson 2014

Purely as records of experience, travel photos are often irreplaceable – you cannot go back. This means that to find, take and bring home an accurate record you need to be well prepared. An important section of these notes are such essentially practical matters as what equipment to carry and how to look after it. There are also general tips on travel formalities and on the challenges of different locations. And a final section shows how to put it all together in a slide show or trip album.

© Garry Benson 2014
© Garry Benson 2014

But travel photos can be more than by-products of a trip. Holidays and journeys give you the luxury of time – time to observe the beauties or oddities of the world and to compose images that capture the atmosphere and spirit of people and places. By travelling as a photographer and with a photographer’s selective eye, you can come home with a collection of evocative images.

© Garry Benson 2014
© Garry Benson 2014

1. Planning a Trip
Anticipation is one of the pleasures of travel. And with some advance knowledge of where you are going, you will waste less time in the wrong places and come back with a more interesting photographic record. Also, you will take better pictures if you have packed the right equipment. So before you leave, do some planning.

The first stage of preparation is to research as thoroughly as possible the places you will visit by going online, using guides, travel books, brochures, magazines and postcards. Such visual material will provide a starting point for your own photographs and websites like Tripadvisor help to inform you about other travellers experiences. You should also find out what kind of weather to expect, if there are strict rules about access to particular sites, and the starting times of any special events to be held during your stay. For example, a nearby town might be celebrating a festival; or a night scene reproduced in a travel book may suggest a good subject for time-exposure pictures. All this research will help you decide what equipment is vital and what you can leave behind.

The need for planning does not stop when you get to a destination. If you’re alone, you can work out a photographic schedule according to the subjects that appeal to you most. But if you’re holidaying with family or friends you’ll have to organise your photographic schedule around your companions’ plans. So try to organise your more ambitious outings for the days when others are indulging in more conventional amusements. For example, if you need to take a long, steep climb for an overall view of a resort, wait until your companions are relaxing on the beach, rather than drag unwilling hikers along with you.

© Garry Benson 2014
© Garry Benson 2014

2. Travel Formalities
Camera equipment tends to attract attention from customs authorities, particularly at airports. In some countries, the amount of equipment you are allowed to bring in is surprisingly limited, and if you are flying overseas with more than one camera there may be problems.

Try to check the allowances beforehand with the tourist information services and Smart Traveller. In practise, customs officials have wide discretion over how strictly they enforce the rules. A reasonable, cooperative attitude will often work wonders. Remember that the regulations are generally designed to prevent people selling items at a profit without paying duty. Always stress that your cameras and equipment are personal effects.

A good tip is to list cameras and lenses, with their numbers, so that the list can be registered with customs, both when you leave your own country and upon entering a foreign one. Alternatively, suggest that the details are entered by customs on your passport so that you are obliged to take out the same items you brought in.

© Garry Benson 2014
© Garry Benson 2014

3. Local Research
However well you prepare the ground for a trip before leaving home, there is no substitute for on-the-spot research. The more information you can glean from local sources, the more chances you have of finding unusual viewpoints or rich photographic source material. Begin with that published information – guides, maps and postcards from bookshops and kiosks at stations, airports and hotels. Studying postcards is particularly useful: you can put yourself in the photographer’s position, and then consider other possible viewpoints and approaches. next, visit the local tourist office and travel agents. There, you can get free, up-to-date literature and detailed information on subjects that interest you. A list of organised tours, even if they are too expensive or not to your taste, can be helpful when you plan your own excursions.

Finally, remember that your best sources are all around you: the local people. Never hesitate to ask and ask again. A sound policy is to ask several people the same question, because not all the information you receive will be reliable. The staff at your hotel or guesthouse will usually be very helpful, but if possible take the precaution of checking out what they tell you at the photographic site. For example, if you want to get shots when fisherman are retuning with their catch, make your enquiries at the harbour.

The first step at any site is to make a reconnaissance visit. If time and the site permit, walk around the subject to assess every possible angle. Make running notes of the advantages and disadvantages of various approaches, and try to imagine how changing lighting conditions will affect each view. Again, postcards of the subject will provide useful comparisons. Deciding when and how to take the picture will depend on what you want to convey about the subject.

© Garry Benson 2014
© Garry Benson 2014

4. Judging a Location
Once you have research a locale and have a clear idea of the subjects you want to photograph, you should consider the best conditions for taking your pictures. Of course if you are recording an event. Timing, and to a certain extent camera position, will be predetermined. But for more stable subjects – scenic views and interesting landmarks and buildings – the time of day and the viewpoint you choose are all-important.

For example, to help you choose the most effective conditions, find out both the time and the direction of sunrise and sunset; these will depend on the season as well as the place. Remember that the angle and quality of early light change very quickly; arriving at the site even ten minutes late may mean missing the best picture. Where the climate is consistent, you can plan your pictures precisely. Otherwise, be prepared to visit a site several times until the conditions are right.

© Garry Benson 2014
© Garry Benson 2014

5. Putting it all together
Photographs are meant to be seen, and the lasting pleasure of travel photography comes when the trip is over and you can browse through your images. Selecting, arranging and presenting your pictures are as much parts of the creative process as taking photographs and deserve as much care.

The advance planning, local research and notes you made about pictures along the way will now pay off. Instead of a random heap of images, including some you cannot identify, you will have a unique and vivid record of your whole trip. You might choose to arrange your images consecutively, in order of then places visited; or according to one of more themes planned at the time. And keep an open mind – you may find that an unexpected theme suddenly occurs to you.


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